From Monday June 16 to Sunday June 22, I was in Wellington, New Zealand. And despite the strange (possibly a little bit intoxicated) look on my face in the photo above, I had enough of a ball that I have managed to write a few blogs about it, which can be found here. This is the biggest and most important of all of them. This post is about the reason why I rushed into my boss’ office and begged for leave, why I booked plane tickets as soon as it was granted, why my mother made multiple sighing noises at me as she gave me my passport, and one of the reasons why I’m still crapping on about it to anyone who is still listening. This post is about What We Did At The Premiere.
It was Wednesday June 18, 2014. And it was one of the most amazing/bizarre/wonderful nights of my life.
A straight, start-to-finish, by-the-numbers blog entry was never going to be possible for this evening’s proceedings. Even my scrapbook pages from the night are tangled and flustered with excitement, even though I wrote them over 24 hours later. I committed myself to burning as much of it into my brain as possible, and I think I did a pretty good job, but if I ever tried to share it as a flowing chronological stream I think I would probably melt every neuron in my cerebrum with nostalgic joy.
In order to preserve the little brain function I have left, this blog will consist of chunks, each attached to a photo or gallery. Some of these photos are mine, but most were taken by others, and I’m incredibly grateful for that. The quality of some of the photos is… questionable. That said, I maintain that the spirit of the night shines through their grainy pixels.
Hopefully, when it’s all put together, it will give you an idea of the sheer delight I experienced on that wonderful Wellington Wednesday evening.
I bought the dress especially. I love the tulle in the bottom, because it negates the need to pack a separate petticoat. It saved a lot of room in my bag.
Jane helped me put my just-that-little-bit-too-short hair into a bun and lent me her brooch. I wore bright red shoes. Somehow we had completely colour co-ordinated. She looked absolutely incredible in that dress, with her hair done up high. The dress code on the invitation had been “Dead But Delicious”. We certainly had the last bit right.
There’s no wine in the goblet I’m holding. It was purely for effect. Jane’s daughter mentioned that because it had skulls all over it, I should definitely be holding it in our “before the premiere” photo. So I did.
We took a cab into town. We had a few drinks at The Bangalore Polo Club. From there, we headed over to The Embassy Cinema. I was buzzing with excitement. I tried to take my time to soak it all up. My eyes must have been like saucers. No, like satellite dishes.
Every sound, every smell: I tried to drink it all in at once. A black hearse was parked out the front. We waited in line as a brass band played their way through the crowd. I yelled, “Yeah! Sousaphone!” because I am an idiot. My smile was so wide, it felt like the corners of my mouth were trying to run right off my face.
Inside, we were met by replicas of scenes from the film. The detail was impeccable. I’m sure I audibly gasped a number of times. Even the goblet on the side table still had drops of blood in it. I wondered briefly whether it had tasted like blackcurrant or fermented grape or cool metal.
Into The Cinema
Chris spotted us in the crowd upstairs and said we should go in now if we wanted to get a good seat. In our hurry, we lost Theresa. I didn’t spot her again until the film was over.
I did see a number of familiar faces in the crowd, but of course, none knew me from a bar of soap. It was strange, but in a delightful way. It wasn’t like seeing Australian people-of-note; hell, that happens almost every time I visit Newtown. This was strange, because here I was in another country (which was strange enough), seeing these people in their home town. I don’t know. It’s hard to describe. It was strange, but nice.
We took our seats and watched the band play again. They were still incredibly wonderful. Jane and I chatted and I bopped in my seat and hooted and whistled when they were done.
There was a Māori version of Welcome To Country; at least that was how it seemed to an outsider like me. I wished that more events in Australia had an Indigenous Welcome To Country as their opening words. I felt sad that this is such a rare occurrence in my homeland.
Then Taika and Jemaine took to the stage and began to tell the story of how they came to make the film. It was like this video, which was taken by somebody at the Q&A screening a few days later, but at the premiere, they were far more snappily dressed.
They said that we had missed the opportunity to go to the toilet, as the movie was about to start. I suddenly got the urge to go to the toilet. This is not a good feeling to have before and during a film that is going to make you laugh a lot.
The Film Commences
It was just… great. Having waited two years for this movie to come out, I was afraid I would have built my expectations too high. But I didn’t. It was everything I had hoped for and more.
I’ll tell you more about it another time… Say, a little closer to the Australian release on September 4th. Or maybe next week. Don’t fret. It will be soon. I’ll let you know.
I will tell you this, though: when we got out, the first thing we did was go to the toilet. I met Wellington’s Mayor Celia Wade-Brown in the line for the ladies. She had a lovely dress on, and a magnificent pair of fangs. As I write this, I wonder if Katy Gallagher has ever worn fangs.
Vampires Come Out To Play
After the film, the vampires and some of the werewolves came out to answer any questions their audience/dinner might have. I wish I could have thought of something a little more clever than, “Where are the lady werewolves?” But I was high on endorphins. Getting through an entire sentence was an achievement at that stage.
Once we had taken our aforementioned loo break from the previous chapter, we began to move back out into the upstairs foyer. We had a few drinks and mingled with friends Jane had spotted in the crowd, but I had one thing on my mind: I wanted photos with the vampires.
I always feel like a mug when I ask people for photographs, but they were all incredibly kind. The only pre-cursor was a brief introduction from Jane, which was missed by most, followed by a request for a photo, the pose, the snap, a smile and then moving on.
The exception was Viago. Jane mentioned that I was Noni, and he immediately recognised me. “Noni Doll!” he exclaimed. “You made it!” It was odd, like I was meeting up with an old friend, as opposed to a fictional 300-year old vampire. I wanted to hug him and sit down and chat, but the room was full and loud and there were others who wanted their chance to interview a vampire.
Getting the photo with Nick (or was he just Cori?) was the most awkward of the set. I tapped him on the shoulder as he swept through the crowd towards the bar, and with a mixture of sudden boldness and sheer mortification, asked if I could have a photo. For some reason, Jane couldn’t get the camera to work, so we were stuck in that terrible position of, “I don’t know you, but I have definitely had my arm around you for far too long and now it’s a bit weird.” Bless.
Deacon and Petyr were incredibly naughty. The former was being an absolute bossy-pants, and I was immediately taken aback at his lack of manners. After the photo, I mentioned to Petyr that his sire’s behaviour was thoroughly ungentlemanly. Petyr simply responded: “I don’t give a crap.” What a pair of charmers.
More displays were set around the upstairs area, with finalists from the poster design competition scattered along the walls. Vampiric art was scattered around another coffin. I would have taken a picture of myself in it, but I feared I was too wide for it and wouldn’t be able to get out, even if I managed to squeeze in.
Jane, Theresa and I got our photo taken in the photo booth, which was made up to look like the hall of the vampire’s abode. We all looked absolutely gorgeous. (Say otherwise and I may have to send some undead messengers to… have a discussion with you.)
The End of the Evening
Anna gave me directions to the after party. Jane went home, and Theresa came with me.
I took no photographs, because this was time for fun and nothing else. This was something to live, not document. So I did just that.
But I will tell you this:
- Boogie Wonderland is a place that I believe should not exist. Novelty bars that play the hits of the 70’s, 80’s, 90’s and 00’s are things that only exist in movies and British sit-coms, not in real life.
- Niko Ne Zna played Balkan brass on a flashing dance floor under more mirror balls than could ever be necessary. This was more amazing than you can imagine.
- I danced through a doorway traffic jam with Rhys Darby.
- I spent a lot of time avoiding eye contact with Bret McKenzie, because he constantly looked like he was in the middle of a really serious conversation. Also, he wasn’t even in the movie, so he wasn’t even really worth my time, y’know?
- I abruptly ended a chat with Taika Waititi by smashing a glass with an overzealous gesture.
- Anna introduced me to Jemaine Clement in a barely decipherable dance floor conversation. The one thing I remember him saying was that I’d been on TV all over New Zealand, to which I responded that this was definitely a thing we were not talking about and will never speak of ever again.
- I drank a lot of Delicious Neck beer. It was indeed delicious.
- I went home at 3am, but the party was still kicking. Perhaps they were vampires after all…
That night, I dreamed about hanging out in dark bars with Vladislav, Viago and Deacon, drinking red wine until the early hours and talking about how Canberra is also a pretty good place for vampires to live. I dreamed that I had asked Jemaine and Taika to sign my scrapbook like I’d planned instead of just plain forgetting. I revisited the Boogie Wonderland dance floor over and over in my subconscious. It took all night for my brain to come anywhere near processing what had happened. In doing so, it prolonged just how wonderful the real thing had been.
A month later, and that night is still my ultimate happy place when things go awry. I often get out my scrapbook and thumb through the photos and remember stupid things that happened and laugh to myself at how gloriously ridiculous life can be, but only when you step out and grab every opportunity with both hands.
Speaking of opportunities, did I mention I’m going to Melbourne to see What We Do In The Shadows again next month?
Because I totally am.